Helmed by Portishead co-founder Geoff Barrow, this scabrous though slight debut feature casts a critical gaze on the ecstasy-fueled club scene. Venal drug user David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to break into his own parents. In no time, he's overturned in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his everyday life. The central theme – that the rave-era youth were mainly focused on themselves – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher arrives, enraged after David kills his dog. Nevertheless, a grimly amusing standoff takes hold – David desperate to escape; the Poacher denying his container of cider, intent on soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
There is only one important plot development, but it results in a hilariously staged rampage on the woodland paths that dips close to rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
The film is in UK and Irish theaters from November 17.
